ATT Pebble Beach National Pro Am
News & Events George Bleasdale News & Events George Bleasdale

ATT Pebble Beach National Pro Am

We walked on Carmel Beach this morning because the AT& T Pro Am was being played on the Pebble Beach golf course. You can see the tournament from the beach! Golfers always lose their golf balls in the high grass on the 4th hole (I think that is correct), it's the last hole on the north end of the beach. Its fun to watch them search for their balls and try and hit them back on the course.

Read More
Visiting San Miguel Mission
News & Events, Photography Workshops George Bleasdale News & Events, Photography Workshops George Bleasdale

Visiting San Miguel Mission

Last week we drove 2 hrs south, down Hwy 101 to the San Miguel Mission with Martin Vargas Garcia. Kim presented Father Larry of the San Miguel Mission, a gift of a portfolio of work that he took when we attended the workshop with Al Weber in 2009. It was a wonderful visit and Father Larry gave us a tour of the mission and the areas were we will be able to shoot in at our upcoming workshop San Miguel Mission Workshop and Book Project on May 12-15, 2011.

Read More
Kim Weston Interview with Jim Kasson
Exhibits/Events/Lectures, News & Events George Bleasdale Exhibits/Events/Lectures, News & Events George Bleasdale

Kim Weston Interview with Jim Kasson

Kim Weston, Cole Weston’s son and Edward Weston’s grandson, creates exquisitely choreographed and emotionally complex studio nudes. Jim Kasson interviewed Kim in his Wildcat Hill home, once Edward Weston’s home and studio. JK: I’ll start out with a simple question that may have a complicated answer: How’d you decide to become a photographer? KW: I knew you were going to ask me that.

JK: You had to think twice about it; there was a lot to live up to. KW: Not really. Growing up at Garrapata with Dad, there were always cameras around. I started when I was six. I was a shy child, and I loved going into the darkroom and helping my dad. I loved the darkness, the quiet. I’d sit in there for hours. He was doing portraits at that time so he was processing a lot of 4x5s, and it was my job to put them through the hypo. He never pushed me, but there were always cameras there, and film, and I just started doing it.

Read More